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That a record such as this was written and delivered by such young musicians is nothing short of miraculous, albeit in the infernal rather than heavenly sense.
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It’s not sheer power that makes Paranoid a unique album, although it has that to spare: it’s the keen awareness of songwriting dynamics displayed by Butler plus singer Ozzy Osbourne, guitarist Tony Iommi and drummer Bill Ward, all still in their very early 20s at the time of recording. The album then moves on to the sensuous instrumental Planet Caravan, a beautiful, landscaped song, before the pulverising hammer blow of Iron Man. The latter, a zippy paean to mental instability, is probably Sabbath’s best-known song, executed at a rare, non-doomy tempo. The former, a critique of warfare and in particular of the American government’s policies regarding Vietnam, sees lyricist and bassist Geezer Butler on peak form – even if he can’t find a better way to rhyme ‘masses’ than with itself in the couplet ' Generals gathered in their masses/Just like witches at black masses'. The one-two opening shot of War Pigs and Paranoid itself simply cannot be bettered in the metal world. Let’s go one further and suggest that heavy metal really hit its stride for the first time with Sabbath’s second album, Paranoid, a heavier, more threatening and more nuanced collection of songs. (Image credit: BMG) Black Sabbath - Paranoid (1970, Vertigo/Warner Bros)Īs anyone who likes unsociably loud music will tell you, heavy metal is popularly thought to have been born in 1970 when Brummie headbangers Black Sabbath released their self-titled debut album. Tracks like You Shook Me All Night Long have infection choruses that suit the massive arenas they would eventually fill, while Shoot To Thrill is an adrenaline-filled rock anthem that would be used on film soundtracks years after its release.īack In Black’s catchy riffs and quotable lyrics are so synonymous with rock music that they're known by even the most casual of listeners, while the songs have remained staples in AC/DC’s live performances down through the years.
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In general, the band stuck with what they knew: hard-hitting and good old-fashioned rock'n'roll.īack In Black is full of meaty riffs that every novice guitar player will attempt to learn at least once, and it also boasts solos that experienced players wish they could emulate.
Apart from that brief opening, there are no reflective, mourning or sad songs. Back In Black also starts with bells ringing for Bon.
The band paid tribute to Scott with the album’s black cover: it was meant to be entirely black with embossed lettering, however, the record label insisted on including grey for the band’s logo. After his funeral – and with some encouragement from his parents – the remaining members of AC/DC began looking for a new vocalist – and within the space of a couple of months, Brian Johnson was announced as the new singer. However, in February of that year, frontman Bon Scott was found dead in London.
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They had released a series of successful records, finally broke the US with their album Highway To Hell, and were set to record the album that would eventually become Back In Black. (Image credit: Sony Music) AC/DC - Back In Black (1980, Albert/Atlantic)ĪC/DC looked to be on their way up in 1980.
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